The cardboard boxes and their contents have a therapeutic role, forcing us to confront the heavy burden that material objects place on the soul. Some gallery goers expressed delight at the collection of objects which they saw as quaint, others expressed disgust and asked AUDC to remove them. One individual called the contents "junk," even though this person had not examined the objects very closely: the items within the boxes were by far the most expensive part of this exhibit dedicated to the most expensive space in North America.

Although obviously the most didactic part of the exhibit, the immaterial culture models created the greatest confusion. This effect, which we had not foreseen or planned, is a function of the psycho-erotic nature of objects today. Objects confuse us, leaving us bewildered and lost.